1. Who controls the 
        leaps?
      Nobody 
        knows. Sam and Al know that it's not Ziggy or anyone at Project Quantum 
        Leap. Al told Sam in the pilot that Sam's leaps were out of the project's 
        control, so Sam and Al hypothetize that it's Him who is controlling things. 
         
      In the series finale, 
        we get an ambiguous glimpse of the supposed controller, but the exact 
        nature of this controller (and in fact of this entire episode) is still 
        under heavy debate. (see SP#2) [Robin C. Kwong]   
         
      2. When Sam looks 
        at himself, what does he see?
      He sees 
        himself, Sam Beckett - unless he looks into a mirror. Then he sees the 
        leapee.   
      3. Can Sam die during 
        a leap?
      According 
        to Don Bellisario, yes he can.   
      4. Why could Sam 
        see when he "replaced" a blind man? Would he be able to hear 
        as a deaf person? In other words, is it Sam's mind that's leaping, or 
        his body?
      Sam 
        is physically leaping through time, his mass being exchanged with that 
        of the leapee. Sam, not sharing the handicap, will not exhibit it. Sam's 
        entire body and soul trades places with the leapee, although the physical 
        aura stays around.  
      To quote The Source 
        Himself (Don Bellisario):  
      "...when Sam leaps 
        in and bounces somebody out, I like to think of it this way: ... if that 
        person was hit by a car and they broke their leg and hit the street and 
        then Sam leaped in, Sam would not have a broken leg. But if Sam leaped 
        in and was crossing the street and was hit by the car, then Sam would 
        have the broken leg."  
      In other words:  
      
       He does not share 
        handicaps or injuries suffered by the leapee before his leap in, but will 
        sustain injuries suffered while he is there.  
       The fact that it 
        is Sam's entire body that is leaping is supported by a great number of 
        episodes: "The Wrong Stuff," "Nowhere to Run," "Blind Faith," "Runaway," 
        "Trilogy part 3," "Pool Hall Blues," "The Color of Truth" (Jesse Tyler 
        was revealed to suffer from rheumatism in "Shock Theater," which Sam gave 
        no indication of being affected by in this ep), and probably any episode 
        in which he is a woman and does things beyond her normal physical strength. 
        (Yes, this even includes "8 1/2 Months" (see SP#8).) This is also supported 
        by the fact that Sam sees himself unless he looks in a mirror. [Kwong] 
         
       Also, it is stated 
        that Sam and Al are linked via their mesons and neurons, which are physical 
        entities. If Sam does not leap physically, then this link would be lost. 
        [Kwong]  
       The fact that certain 
        individuals--including himself--can see Sam indicates that there is something 
        behind the aura for them to see. [Kwong]  
       The explanation 
        for why Sam seems to be unaffected by the size difference between him 
        and the leapee is theorized in question 14. There is *no* clear evidence 
        given in any of the episodes to support the theory that Sam's mind is 
        leaping. [Kwong]  
       See also SP#7.  
         
         
      5. What does the 
        leapee remember about his experience after he returns?
      This 
        is also not known. The only time we've seen this occur was in the episode 
        "Double Identity," where Sam leaped to replace another body and the original 
        host returned. He APPEARED to have no memory of anything after he was 
        leaped into. It has been stated that the leapee, while in Sam's body back 
        in the Waiting Room, has a 'swiss-cheesed' memory, much like Sam received 
        upon his initial leap. Because of the ultramodern hospital-like atmosphere 
        of the waiting room, many of the leapees believe they have been abducted 
        by aliens. Deborah Pratt says that as the leapees return, they pick up 
        some of Sam's memories of what happened, but they believe the events happened 
        to them.  
       It would probably 
        also wreak havoc for the top-secret nature of PQL of all the leapees remembered 
        enough facts for them to compare notes. Not to mention the possible serious 
        repercussions of "The Leap Home part 1" and "A Leap for Lisa." [Kwong] 
         
       Don Bellisario believes 
        a lot of these people ended up writing books about UFOs. :-) [Finifter] 
          
         
      6. There is no number 
        6.
      [This 
        is a net.Leapers "in joke" that started on Monty Python's Flying Circus.] 
          
      7. Can anyone see 
        Sam as Sam, rather than as the Leapee? Can anyone other than Sam see Al?
      Small 
        children, the "mentally absent", animals and people near death can see 
        him [And pretty blondes with very low IQs, if Dean Stockwell got his way 
        :-)]. Al has explained that children and animals see things as they really 
        are because they exist in a natural alpha state. Also, if a person's brainwaves 
        were sufficiently in tune with Sam's, that person would be able to see 
        and hear Al too.   
      8. Why can't Sam 
        Leap back beyond his own lifetime? (Or, why can't he leap into the far 
        past?)
      This 
        is all part of Sam Beckett's String Theory. A person's lifetime is like 
        a string - one end of the string is one's birth, the other end, one's 
        death. Tie the ends together and ball up the string, and all the days 
        of one's life touch all the other days of one's life. If one can loose 
        one's self from the string, one can Quantum Leap from one day to the any 
        other. On one occasion (so far), Sam was able to leap back to a time before 
        the date of his birth due to an accident that occurred during a leap out 
        in the middle of a thunderstorm. Al and Sam leaped together and wound 
        up trading places, Al in the past, Sam in the future. This "simo-leap" 
        caused an exchange of subatomic matter between Al and Sam allowing Sam 
        to leap back into Al in the year 1945. It isn't known at this time if 
        this exchange of matter will be permanent (therefore allowing Sam to leap 
        even further back) or if it was cleared up when Sam leaped back.  
      
       As for those cases 
        where Sam leaps before his own birth ("Play It Again, Seymour," "The Americanization 
        of Machiko"), it is possible that Sam's lifetime is not defined by his 
        birth but by his conception, since these dates are within 9 months of 
        his birth. However, the DITTC seems to apply most appropriately here. 
        [Kwong]  
      The "within your 
        own lifetime" principle is also broken in "Leap Between the States," where 
        it is theorized that the genetic similarity between Sam and the leapee 
        enables him to leap very far before his own birth. [Kwong]   
         
      9. What would happen 
        if Sam failed to do what he was there to do?
      Again, 
        nobody knows. One theory that we have was that he would be trapped in 
        the past forever, replacing the host. This, however, is doubtful. Another 
        theory that we have had was that he would leap into another's life to 
        attempt again to fix "that which has gone wrong".  
       Things seem to change 
        a little at the end of the fourth season when Sam states that success 
        is not required for a leap-out, which seems to violate the precedent set 
        by previous episodes, notably "Genesis." At any rate, these statements 
        only reflect the fact that PQL can merely *theorize* on the leaping process. 
        It is possible that this question will not be answered satisfactorily 
        simply because GTF will not leap Sam into situations which he cannot handle. 
        (see SP#5) [Kwong]   
         
      10.How is it that 
        when Sam leaps into a leapee who is shorter/smaller than he is, people 
        around him don't notice a difference in size?
      I belive 
        it is a question of topology. I'm not very good at it, but consider the 
        following argument. The QL maps everything from a different time into 
        a frame of reference relative to Sam. (And vice versa for the host.) Sam 
        doesn't see what really happens, but rather what happens relative to his 
        host. [Doug van der Veen]  
       It's all a matter 
        of relativity. Consider a spaceship 10 meters long. Send it off at 99.4% 
        of the speed of light and it will seem to be only 1 meter long to anyone 
        still on earth, while still seeming like 10 to those on board. Gravity 
        can do the same sort of thing; put an object deep into a gravity well 
        and it will seem shorter. The point is the ship is in a different 'reference 
        frame' than the earth, and the object in the well is in a different frame 
        then the observer floating outside it, and things like length (also duration) 
        are not the same across reference frames. [Larne Pekowsky]  
       So here's the theory: 
        when Sam leaps his whole body leaps (explaining things like "Blind Faith"), 
        but it is mapped into a different reference frame. If you look through 
        a warped piece of glass, things seem to be a different size and shape. 
        The same thing happens with a warped region of space (cf. "Gravitational 
        Lenses.") When Sam leaps the space containing him is warped in such a 
        way that not just length, but all physical properties are altered. And, 
        of course, the only person in Sam's reference frame is Sam, so when he 
        looks at himself he sees what he has always seen, but when he looks in 
        a mirror the photons have passed between frames, and so he sees the leapee. 
        [Pekowsky]  
       To answer the original 
        question, when Sam, 6ft, has leaped into someone 5ft7 and is talking to 
        someone, they look at the leapee's eyes, he sees them looking at his eyes, 
        and likewise he looks down, but the person he's talking to sees the leapee 
        looking straight. Which is really right? Neither, or both! It's the same 
        as asking 'how long is the spaceship really.' The answer is completely 
        dependent on what frame you're in because certain physical properties 
        have no absolute existence. [Pekowsky]  
       As for how this 
        ties into superstrings - current thought is that strings don't just define 
        particles, but also in some sense define space and time themselves (ref: 
        "Superstrings: A Theory of Everything?" edited by PCW Davies). When Sam 
        leaps he takes the strings comprising his body and 'soul,' into a region 
        of space made up of the strings of the person he's replacing. [Pekowsky] 
          
         
      11. Has Sam ever 
        leapt outside the United States? Into foreign nationals?
      Sam 
        has leapt outside the United States a total of 7 times:  
        
          - "The Leap Home 
            II - Vietnam": The Mekong Delta, South Viet Nam  
          
 - "Ghost Ship": 
            Over the Bermuda Triangle, flying to Bermuda  
          
 - "The Curse of 
            Ptah Hotep": Egypt  
          
 - "Lee Harvey Oswald": 
            Japan and Moscow, U.S.S.R.  
          
 - "The Leaping 
            of the Shrew": The Aegean Sea  
          
 - "Blood Moon": 
            England, U.K.  
        
  
        [Finifter]  
         
      12. I read the QL 
        Primer and I understand the concept of time strings with the parts of 
        the string touching other times, and how the rule is that Sam can only 
        leap to times that occur during his own life-time. My question is, why 
        can't Sam leap into the future? By the future, I mean that period of time 
        between the first leap and Sam's death.
      Sam's 
        leaping into post-'90s time would seem to fit within the definition of 
        "his own lifetime," since one's birth as well as death would constitute 
        one's entire lifetime. This was stated as much in "Genesis" ("One end 
        of this string represents your birth; the other end, your death. You tie 
        the ends together, and your life is a loop. Ball the loop...and the days 
        of your life touch each other out of sequence. Therefore, leaping from 
        one point in the string to another--" "Would move you back and forth within 
        your own lifetime."). [Kwong]  
       With this in mind, 
        then, "future" leaps would seem to be possible. However, since now the 
        m.o. of the Project has changed slightly due to the interference of GTFWhoever, 
        it just might not be practical. That is, Sam leaps in order to right some 
        wrong, often using his knowledge of the future to solve the problem -- 
        or at the very least, the fact that he's from the future enables him to 
        recognize the fact that there *exists* a problem at all (preventing something 
        from happening that the original host didn't see coming up the first time 
        around). In a "future" leap, Ziggy would be useless in terms of obtaining 
        data, Al would be reduced to being only able to offer moral support or 
        an extra pair of eyes, and Sam would be just as clueless about the situation 
        as the original leapee was (and probably even more so). The sheer impracticality 
        of these conditions would then cut down quite a bit the probability of 
        a "future" leap. [Kwong]  
       Then again, if Sam 
        does do a "future" leap, would that give away the fact that he's not going 
        to die in any other leap before the Project's "real time" reaches that 
        date? [Kwong]   
         
      13. Who are the "evil 
        leapers"?
      We first 
        see Alia and Zoey in the fifth-season episode "Deliver Us From Evil" and 
        later in "Return" and "Revenge." Apparently they have a means of leaping 
        which contains notable parallels to PQL--including a holographic chamber, 
        handlink, holding area, and a controlling computer named Lothos--and in 
        fact seem to act as something of a counterpart. Beyond the fact that they 
        clearly do not have Sam's good intentions where leaps are concerned, not 
        much more is known about them. (See also SP#2.) [Kwong]  
       There's been a lot 
        of discussion on the net from time to time regarding this topic, and it 
        is some people's opinion that PEQL (Project Evil Quantum Leap) is run 
        by Satan himself. [Finifter]   
         
      14. How much time 
        passes between leaps? 
      Time 
        between the leaps is instantaneous for Sam. For those back at PQL, the 
        gap seems to vary. We've heard mention of gaps as long as six days, and 
        were even once treated to the sight of an instantaneous leap in from the 
        point-of-view of the Waiting Room. It would appear that the lengths of 
        the between-leap gaps for the PQL staff are random. [Kwong]  
         
      15. Does time pass 
        differently at PQL than it does for Sam?
      We've 
        never seen an indication that it does. At most, there is a time difference 
        resulting from, say, Sam leaping into Smallville at 9am while back at 
        the Project it's 11:30pm...the kind of difference one would get when trying 
        to place a long-distance call to someone in another time zone. There is 
        no indication that an hour's length for Sam is not the same as an hour's 
        length for the PQL staff. [Kwong]  
       To state it more 
        specifically, once Sam leaps in and PQL locates him, his "clock" and the 
        Project's "clock" become locked in synch. As in the Smallville example 
        above, if Al steps into the Chamber at 11:45pm (PQL time), he will only 
        be able to contact Sam at 9:15am (Smallville time). Note that the Chamber 
        becomes useless unless there is a leaper to focus on. [Kwong]  
         
         
      16.When is Al's "present"? 
        Or rather, in what year did Sam start leaping?
      Through 
        various little hints and clues, the date of Sam's first leap has been 
        determined to be 1995 (seven years after our present, since Quantum Leap 
        premiered in the spring of 1989). This date was confirmed in the fifth 
        season episode, "Killin' Time." Al's "present" tended to jump around a 
        bit during the course of the series. Through arithmetic or direct statements, 
        it was 1997 in the third season finale, then 1999 for the fourth season 
        opener. Then in the fifth season opener, the date was given as a few months 
        *before* the fourth season opener, with references to events from the 
        fourth season. [Finifter]  
       From direct statements 
        in one episode, we know the building of the Project was begun in 1989. 
        [Kwong]   
         
      17. When Al looks 
        at Sam, what does he see?
      Al sees 
        the leapee, initially. In the episode entitled "What Price, Gloria", Al 
        was out of control at seeing Sam as the gorgeous secretary. Al probably 
        recognizes Sam because they are linked through their brainwave transmissions, 
        which is what is used by the project to locate Sam in time.  
       This then appears 
        to change through the seasons. Later episodes begin to hint that Al sees 
        Sam as Sam. By the fifth season, this is stated explicitly to be the case. 
        A possible theory is that, after the whole mess in "What Price Gloria," 
        Al had Gooshie re-configure the IC to show him Sam's image only. [Kwong] 
          
         
      18. Who is in the 
        "Waiting Room"? What does it look like?
      The 
        leapee. To everyone at the Project (with the possible exception of Al 
        (see #2), the leapee looks like Sam. The waiting room has been described 
        by Don Bellisario as being a sterile, hospital-like room where the leapee 
        is examined by the Project's medical staff. We've seen it a few times 
        and it's big and blue, and located at the end of an isolated ocrridor. 
        Once we got to see (and HEAR) the leapee when she entered the imaging 
        chamber with Al, and she looked to us like the image Sam saw in the mirror. 
        This is probably due to the same mechanism that allows us to see Sam as 
        Sam [Bellisario's rules :)].  
       The leapee is occupying 
        Sam's aura, not his body (see #8). The audience sees the leapee in the 
        WR. [Kwong]   
         
      19. What is the Imaging 
        Chamber?
      This 
        is the only place where Al can go to talk to Sam. Its construction allows 
        a holographic image of Al to be generated for transmission into Sam's 
        optic and otic neurons in the past, and for Sam and his surrounding images 
        to be projected onto Al's neurons. Speculation (and a quote from Don) 
        has it that this is a very large and cavernous room judging from the amount 
        of walking Al can do without bumping into walls and the sound of the door 
        as it slides open and closed. We've seen it once, and it is large and 
        blue, similar to the Waiting Room. [Finifter] Since Al is a hologram, 
        the fact that he seems to be able to walk up and down stairs in several 
        episodes is probably a script glitch. [Kwong]   
      
      20. Can anyone else 
        at the project go into the Imaging Chamber and see Sam?
      Only 
        when Al is touching an object will it be visible to Sam (and us). In more 
        than one episode, Al brought an object into the Imaging Chamber for Sam 
        to see (this is beyond Al's clothing, cigar and handlink). Skin to skin 
        contact must be needed for another person to be seen in the Imaging Chamber. 
        Dr. Beeks, by holding Al's hand was seen by Sam [and us :)]. In one other 
        episode (Killin' Time), a quick jury-rigging job by Ziggy enabled Gooshie 
        (see question 19) to contact Sam via the hologram/brain-wave process, 
        but the image broke up a lot. (see SP#4, SP#13)  
         
      21. How does Ziggy 
        know so much about people's lives in the past?
      Ziggy 
        is hooked up to every major database of the late '90s. It's amazing, when 
        you think about it, just how much is REALLY known about you that is stored 
        on computers.   
      22. Who is this "Gooshie" 
        that Al keeps talking to?
      Gooshie 
        is Ziggy's programmer, a short guy with bad breath. We used to see him 
        very briefly in profile wearing a headset in the opening title sequence 
        as Sam is leaping out and in the pilot and the episodes "The Leap Back," 
        "Killin' Time," and "Mirror Image." He was played by the late Dennis Wolfberg. 
          
      23. If Al is a hologram, 
        why does he cast shadows?
      The 
        shadows are holograms, too, and are generated and projected by Ziggy as 
        part of the process, of course. [Sally Smith]  
       Seriously, while 
        Al may not cast shadows, Dean certainly does (especially since-- as QL's 
        director of photography Michael Watkins, ASC once put it-- "Dean likes 
        to talk with his hands so much that he's a pretty active shadow anyway."). 
        It's simply physically impossible to eliminate them all. Also, there are 
        times when having Al not cast a shadow would actually make him look fake--like 
        a pasted-on cut out effect instead of a real person. [Sally Smith]  
      
       Any instances of 
        Al's reflection appearing on objects, or things reflecting off of Al's 
        outfits, probably fall under the same category. [Kwong]   
         
      24. Since Al is a 
        hologram, we always see the neat effects of cars driving right through 
        him, etc, so how can he sit in the car and travel within it too?
      Well, 
        when Al appears to be riding in the car, what's actually happening is 
        that he's merely placed his image within the car and set it (his image) 
        to track along with Sam's traveling. This same technique also allows him 
        to track alongside the outside of moving vehicles as well. I'd assume 
        that he's standing the entire time he's "riding," which also accounts 
        for why he often seems to be facing a different direction than one normally 
        would while riding in a vehicle (i.e. straight ahead). [Kwong]  
         
      25. Why is Ziggy 
        sometimes referred to as "he" and at other times "she"?
      What 
        follows is a segment of an interview with Donald Bellisario that describes 
        why and when Ziggy moved from being a 'he' to a 'she'. The transcript 
        has been moved around a bit so that it makes sense in this context.  
      
       Int stands for Interviewer 
        speaking, and Don for Donald.  
       Int: I think I've 
        caught you in one error.  
       Don: What's that? 
         
       Int: Ziggy. Ziggy 
        was referred to as a male, until the "Leap Back" when Ziggy has a female 
        voice.  
       Don: Yeah, Ziggy 
        was referred to as a male through every show. Heh, heh, heh. Yeah. But 
        Ziggy turns out to be a she. It's not an error. We just decided to make 
        Ziggy a female. I mean, it wasn't like, "Oh God, we didn't think of that!" 
        We thought of that first thing, right off the bat, and said, "Oh, who 
        cares?"  
       If you want me to 
        PCR [see below] that one, I'll tell you that Sam didn't remember that 
        Ziggy was a female until he came back, and Al, not wanting to spoil anything 
        for him or throw more of a load onto him that he already had, just rode 
        along with it. How's that?  
       [Another part of 
        the same interview]  
       Don: ...Sometimes 
        you get things you want to do creatively and you don't have the reason 
        for them. It's what I call PCR.  
       Int: Meaning?  
      
       Don: Post-Creative 
        Rationalization. Heh-heh. It really is. "Why does it happen? Why?" Uhhhhhhhh, 
        because, because - he can only leap within his own lifetime! [Referring 
        to an earlier question]  
       And then, out of 
        that came my string theory about how it all works.  
       So it was all stuff 
        I knew I wanted to do. When you create something, and people ask you how 
        it works, to justify it, you go back and figure it all out. And you PCR. 
         
       There you go! So, 
        Ziggy changed sex in the Leap Back simply because Don thought it would 
        be a good idea! You can find the above transcript in the "Quantum Leap 
        Book" (ISBN 1-85283-866-3). [above answer supplied by R. D. Gregson]  
      
       There seems to be 
        a very neat order of transition when it comes to Ziggy's various sex changes. 
        Before the opening of the fourth season, Ziggy was always referred to, 
        and assumed to be, a male. Then in the fourth season opener, we learned 
        Ziggy had a female voice, but was still referred to as "he" throughout 
        the season. In the fourth season finale, Sam tells St. John that "Al called 
        her Ziggy," and the reference was always female from that point on. [Finifter] 
          
         
      26. How is the Head 
        Programmer's name spelled? What about Donna's last name?
      Dennis 
        Wolfberg's character is spelled "Gooshie" in "Genesis," and "Gushie" in 
        "The Leap Back" (all other appearances list Dennis in the beginning credits, 
        rather than by character name). This was probably due to an oversight. 
        The official spelling is not known. [Kwong]  
       The official spelling 
        of Donna's last name *may* possible be gleaned from closed-captioning 
        or a copy of the script. Does anyone have the relevant episodes handy? 
        The Chunovic book spells it "Eleese," but keep in mind that the validity 
        of the book's contents are suspect. [Kwong]   
         
      27. Who is this Sally 
        Smith person and why does she know so much about the behind the scenes 
        goings-on of Belisarius Productions? Why is she called "Lucky Bitch"?
      Hey, 
        that's TWO questions! Sally Smith is our own "Set Elf", otherwise known 
        to the less fortunate of us as the "Lucky Bitch" who resides somewhere 
        in the Bay Area of California. Through some kind of divine providence, 
        she has been granted the blessing of frequent visits to the set of Quantum 
        Leap where she communes with the shining lights of Leapdom and imparts 
        her learnings unto the less fortunate of us on the net (this is where 
        the "Lucky Bitch" comes from). This blessing comes with a price however, 
        in the form of air fare, gasoline and phone bills that when combined, 
        resemble the national debt. This price she pays gladly so that she may 
        share her visits and info with us both on the net and formerly in her 
        mailing list. Unfortunately for all of us, the frequency of her visits 
        have been greatly reduced due to a new studio policy that restricts visits 
        to the sets in their domain. [!@#$%^& legal nozzles. Sally Smith]  
         
      28. What about other 
        inconsistencies that I've noticed in QL?
      "Don't 
        investigate this too closely." --Don Bellisario, 3/17/90  
         
      29. What are "Leapheads"?
      There 
        is no such creature as a Leaphead. This is a word coined by a NBC employee 
        referring to a Leaper, which is a Quantum Leap fan. "Leaper" is the preferred 
        term, used by the fans themselves and the cast and crew of Quantum Leap 
        when speaking about the fans. The prevailing attitude is, "if 'Leaper' 
        is good enough for Don Bellisario and company, it's good enough for us". 
          
      30. So what's the 
        story with that episode titled "The B**giem*n" and why do Leapers refuse 
        to mention it by name?
      [Episode 
        title edited for net.safety] This episode first aired near Halloween 1990, 
        and from the first time it aired, weird events have been associated with 
        this episode. As an example, this episode seems to have the highest incidence 
        of VCR/cable/local station failure than any other episode aired. There 
        have been numerous reports of VCRs cutting out during the taping of this 
        episode, local stations and cable companies dropping their signal. Even 
        mentioning it by name is hazardous, as one net.Leaper can attest. This 
        hapless individual (who knew better) was bandying about the name of this 
        episode. He lost his job AND his net.access. Its mention has been known 
        to cause power failures and auto breakdowns, so it's best to just refer 
        to it as "The Halloween Episode". Leapers everywhere will know of what 
        you speak. By the way, cameras and recording equipment also tend to act 
        strangely around Chris Ruppenthal, the writer of this episode. Since it 
        aired, his nickname has been "Ruppenboogie". He _is_ kind enough not to 
        say the title of the episode around the fans, though director Joe Napolitano 
        does. Mention of all this merely causes Chris to laugh evilly.  
      
       As long as we're 
        on the subject of Chris, Joe, and weirdness, let's note that the episode 
        "The Curse of Pt*h-H*tep" appears to cause earthquakes in Southern California 
        -- the large quakes of Apr. and June 1992 coincided with the two showings 
        of this episode. Pretty scary, huh, kids?   
         
      31. I remember watching 
        a time travel show in the 60's, Time Tunnel. Anyone else remember it?
      Ah yes, 
        Irwin Allen's Time Tunnel. This was a show about a secret government funded 
        time travel experiment in which a young researcher sends himself back 
        in time in an effort to prevent the project's funding from being cut. 
        This, the two men travelling through time, and the efforts to retrieve 
        them are the only things this show has in common with Quantum Leap (which 
        only has ONE man travelling through time, his companion is firmly rooted 
        in the future, but I digress). In the Time Tunnel, time travellers Anthony 
        Newman and Doug Phillips unfailingly arrived at historical events and 
        desperately tried to influence events based on their knowledge of the 
        outcome. They always failed. This is a show where the time travellers 
        would find themselves at the Roman coliseum one week, and in Napoleon's 
        army the next, THEN tripping to the bombing of Pearl Harbor. It is drastic 
        time changes like this that Don Bellisario wanted to avoid when he imposed 
        the 'within his own lifetime' rule. He felt the huge differences in time 
        settings were distracting and unrealistic. :-)   
      
      32. Isn't Quantum 
        Leap just like that other time travel show, Voyagers?
      Phineas 
        Bogg with the assistance of companion Jeffrey Jones are time travellers 
        who find themselves trying to fix history, or to 'put things right' when 
        'people become displaced in time and find themselves a half-step away 
        from a totally different destiny' [Harry and Wally]. In one episode, Franklin 
        D. Roosevelt became a movie director and it was up to Phineas and Jeffrey 
        to set him on the right course to the presidency of the United States. 
        This is another show that would find its heroes travelling to far-flung 
        places and times, a plot device that Don Bellisario wanted to avoid.  
         
      33. Is Scott Bakula 
        really as nice as he seems to be?
      Yes, 
        yes a thousand times yes. A perfect example of just how nice, patient, 
        hardworking and DECENT this man is is his appearance at the QL screening 
        for the fans in LA back on February 25, 1991. He had put in a hard day 
        on the set working on the episode "Last Dance Before an Execution", a 
        very emotionally intense, exhausting episode when he had to appear at 
        the screening to answer questions (with the BGU, Deborah Pratt and Dean) 
        and to meet the fans. He was pleasant and open with the fans, even joking 
        with people and accepting small gifts and hugs with aplomb. Afterward, 
        he was mobbed by (literally!) hundreds of mostly female fans who requested 
        his autograph and their picture taken with him. He spoke to each person 
        and smiled for the cameras. He is truly a sweet, gracious person, traits 
        which are shared by the rest of the people associated with this production. 
         
       Any further elaborations 
        can be filled in by FAQ # 27, the LB herself. :)  
       [Why, thank you, 
        Debbie...] Another example is the UCLA screening of 11/25/90. Scott had 
        been to New York City and back that weekend (appearing in the Macy's parade), 
        had put in a long day at work and was in a great deal of pain from an 
        injured ankle. But he walked out on stage and answered questions like 
        he hadn't a care in the world and afterwards signed autographs until co-executive 
        producer Michael Zinberg literally picked him up off the floor and took 
        him away, telling him he had to go to work the next day. Then there was 
        the convention...well, you get the idea. [Sally Smith]   
         
      34. Does Scott Bakula 
        do his own singing on the show?
      You 
        betcha. Scott is an accomplished singer (1988 Tony nomination for "Romance/Romance"), 
        pianist (see "Blind Faith"), songwriter (he wrote the lyrics to the song 
        "Somewhere in the Night" from "Piano Man"), dancer, and all-around athlete. 
        Let's put it this way -- if you think Scott's doing it (and it's not wildly 
        dangerous) -- it's him.   
      35. What are these 
        abbreviations you people keep using?
      Whoops, 
        sorry! GTF means "God, Time, or Fate" -- whatever "unknown force" is leaping 
        Sam around. BGU (coined by Warren J. Madden) stands for "Big Guy Upstairs", 
        and depending on context, that either means GTF or Don Bellisario.  
      
       PQL, IC, and WR 
        refer to "Project Quantum Leap," "Imaging Chamber," and "Waiting Room" 
        respectively, but that's pretty straightforward. The symbol **" is no 
        longer in so much use but refers to the ascii representation (courtesy 
        of Deb Brown) of the ASL symbols for "Quantum Leap" as shown in the episode 
        "Private Dancer." [Kwong]  
       Some more abbreviations 
        that are commonly used, usually referring to specific episodes that, for 
        one reason or another, get mentioned more frequently than others:  
      
       
        
          - MI = "Mirror 
            Image"  
          
 - TLH = "The Leap 
            Home"  
          
 - LHO = "Lee Harvey 
            Oswald"  
          
 - TLB = "The Leap 
            Back"  
        
  
         
         
      36. What's the significance 
        of the word "height"?
      This 
        was mentioned on E!'s Behind the Scenes on QL as being an in-joke among 
        the QL cast and crew: whenever the word "height" is mentioned, all those 
        within earshot repeat it. [Kwong]  
       This joke shows 
        up occasionally on QL-related posts on the net, usually resulting in waste 
        of bandwidth as others reply to the joke. Not that it isn't fun, but please, 
        if you're tempted to follow up a posted "height!" with one of your own, 
        consider the chain reaction you may be initiating/perpetrating. [Kwong] 
          
        
       
        
      
        
         
       
      37. What members 
        of the QL staff and crew have appeared in the show?
       
       
        
          - Deborah Pratt 
            as Troian Giovanni Claridge in "Portrait for Troian"  
          
 - Don P. Bellisario 
            as Timothy Mintz/mirror in "Portrait for Troian"  
          
 - Paul Brown as 
            Julian Claridge in "Portrait for Troian"  
          
 - Don P. Bellisario 
            as guy at the bar in "Mirror Image"  
          
 - Jean-Pierre Dorleac 
            as guy who says "Butcher, baker..." in "Shock Theater"  
          
 - Rob Mendel as 
            hippie guy in "M.I.A."  
          
 - Chris Ruppenthal 
            as Joshua Raye/mirror in "The B**gieman"  
          
 - Harker Wade as 
            Dylan Powell/mirror in "Temptation Eyes"  
          
 - James Whitmore, 
            Jr as Clayton Fuller/mirror in "Trilogy Part I" and as police captain 
            in "Mirror Image" and as Bob Crockett in "8 1/2 Months"  
        
  
      
      [Ailsa Jenkins]  
         
         
      38. Wasn't the guy 
        who played Al the bartender in the last episode the same actor who played 
        Weird Ernie in the first episode?
      Yes, 
        that was indeed Bruce McGill who played both parts. It is interesting 
        that his part in "Genesis" was not alluded to in "Mirror Image" as were 
        many of the other recurring characters. Bruce McGill also appeared in 
        several episodes of another Belliario production, "Tales of the Gold Monkey". 
        [Bellucci]  
       Other guest stars 
        have also played recurring characters or multiple roles. [Kwong]  
         
         
      39. Are there Quantum 
        Leap conventions?
      The 
        first annual Quantum Leap convention was held in (??) over Leap weekend, 
        February 1992, along with Dean Stockwell's star ceremony (Hollywood Walk 
        of Fame). The Con has been held at around the same time each year since 
        then. Dean and Scott have shown up (officially and unofficially) so far 
        each time. [Kwong]  
       There are other 
        QL-related cons held at other locations, but I don't have any details. 
        [Kwong]   
         
      40. Who do I write 
        to get a Quantum Leap movie? And how can I write to the cast and crew 
        now?
      That's 
        two questions again, but they're good ones. :-)  
       For "Quantum Leap: 
        The Movie", write to:  
       Mr. Sid Sheinberg 
         
        100 Universal City Plaza  
        Universal City, CA 91608  
       Don Bellisario is 
        working at Paramount Pictures now. His address there is:  
       Donald P. Bellisario 
         
        Paramount Pictures  
        5555 Melrose Ave.  
        Los Angeles, CA 90038  
       As for Scott, his 
        address is:  
       Scott Bakula  
        c/o Jay D. Schwartz  
        Sutton, Saltxman, and Schwartz  
        8967 Sunset Blvd.  
        Los Angeles, CA 90069   
         
      41. How long did 
        QL originally run?
      QL ran 
        from March 26, 1989 to May 5, 1993, on NBC...for five seasons and a total 
        of 95 episodes. 
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