1. Who controls the
leaps?
Nobody
knows. Sam and Al know that it's not Ziggy or anyone at Project Quantum
Leap. Al told Sam in the pilot that Sam's leaps were out of the project's
control, so Sam and Al hypothetize that it's Him who is controlling things.
In the series finale,
we get an ambiguous glimpse of the supposed controller, but the exact
nature of this controller (and in fact of this entire episode) is still
under heavy debate. (see SP#2) [Robin C. Kwong]
2. When Sam looks
at himself, what does he see?
He sees
himself, Sam Beckett - unless he looks into a mirror. Then he sees the
leapee.
3. Can Sam die during
a leap?
According
to Don Bellisario, yes he can.
4. Why could Sam
see when he "replaced" a blind man? Would he be able to hear
as a deaf person? In other words, is it Sam's mind that's leaping, or
his body?
Sam
is physically leaping through time, his mass being exchanged with that
of the leapee. Sam, not sharing the handicap, will not exhibit it. Sam's
entire body and soul trades places with the leapee, although the physical
aura stays around.
To quote The Source
Himself (Don Bellisario):
"...when Sam leaps
in and bounces somebody out, I like to think of it this way: ... if that
person was hit by a car and they broke their leg and hit the street and
then Sam leaped in, Sam would not have a broken leg. But if Sam leaped
in and was crossing the street and was hit by the car, then Sam would
have the broken leg."
In other words:
He does not share
handicaps or injuries suffered by the leapee before his leap in, but will
sustain injuries suffered while he is there.
The fact that it
is Sam's entire body that is leaping is supported by a great number of
episodes: "The Wrong Stuff," "Nowhere to Run," "Blind Faith," "Runaway,"
"Trilogy part 3," "Pool Hall Blues," "The Color of Truth" (Jesse Tyler
was revealed to suffer from rheumatism in "Shock Theater," which Sam gave
no indication of being affected by in this ep), and probably any episode
in which he is a woman and does things beyond her normal physical strength.
(Yes, this even includes "8 1/2 Months" (see SP#8).) This is also supported
by the fact that Sam sees himself unless he looks in a mirror. [Kwong]
Also, it is stated
that Sam and Al are linked via their mesons and neurons, which are physical
entities. If Sam does not leap physically, then this link would be lost.
[Kwong]
The fact that certain
individuals--including himself--can see Sam indicates that there is something
behind the aura for them to see. [Kwong]
The explanation
for why Sam seems to be unaffected by the size difference between him
and the leapee is theorized in question 14. There is *no* clear evidence
given in any of the episodes to support the theory that Sam's mind is
leaping. [Kwong]
See also SP#7.
5. What does the
leapee remember about his experience after he returns?
This
is also not known. The only time we've seen this occur was in the episode
"Double Identity," where Sam leaped to replace another body and the original
host returned. He APPEARED to have no memory of anything after he was
leaped into. It has been stated that the leapee, while in Sam's body back
in the Waiting Room, has a 'swiss-cheesed' memory, much like Sam received
upon his initial leap. Because of the ultramodern hospital-like atmosphere
of the waiting room, many of the leapees believe they have been abducted
by aliens. Deborah Pratt says that as the leapees return, they pick up
some of Sam's memories of what happened, but they believe the events happened
to them.
It would probably
also wreak havoc for the top-secret nature of PQL of all the leapees remembered
enough facts for them to compare notes. Not to mention the possible serious
repercussions of "The Leap Home part 1" and "A Leap for Lisa." [Kwong]
Don Bellisario believes
a lot of these people ended up writing books about UFOs. :-) [Finifter]
6. There is no number
6.
[This
is a net.Leapers "in joke" that started on Monty Python's Flying Circus.]
7. Can anyone see
Sam as Sam, rather than as the Leapee? Can anyone other than Sam see Al?
Small
children, the "mentally absent", animals and people near death can see
him [And pretty blondes with very low IQs, if Dean Stockwell got his way
:-)]. Al has explained that children and animals see things as they really
are because they exist in a natural alpha state. Also, if a person's brainwaves
were sufficiently in tune with Sam's, that person would be able to see
and hear Al too.
8. Why can't Sam
Leap back beyond his own lifetime? (Or, why can't he leap into the far
past?)
This
is all part of Sam Beckett's String Theory. A person's lifetime is like
a string - one end of the string is one's birth, the other end, one's
death. Tie the ends together and ball up the string, and all the days
of one's life touch all the other days of one's life. If one can loose
one's self from the string, one can Quantum Leap from one day to the any
other. On one occasion (so far), Sam was able to leap back to a time before
the date of his birth due to an accident that occurred during a leap out
in the middle of a thunderstorm. Al and Sam leaped together and wound
up trading places, Al in the past, Sam in the future. This "simo-leap"
caused an exchange of subatomic matter between Al and Sam allowing Sam
to leap back into Al in the year 1945. It isn't known at this time if
this exchange of matter will be permanent (therefore allowing Sam to leap
even further back) or if it was cleared up when Sam leaped back.
As for those cases
where Sam leaps before his own birth ("Play It Again, Seymour," "The Americanization
of Machiko"), it is possible that Sam's lifetime is not defined by his
birth but by his conception, since these dates are within 9 months of
his birth. However, the DITTC seems to apply most appropriately here.
[Kwong]
The "within your
own lifetime" principle is also broken in "Leap Between the States," where
it is theorized that the genetic similarity between Sam and the leapee
enables him to leap very far before his own birth. [Kwong]
9. What would happen
if Sam failed to do what he was there to do?
Again,
nobody knows. One theory that we have was that he would be trapped in
the past forever, replacing the host. This, however, is doubtful. Another
theory that we have had was that he would leap into another's life to
attempt again to fix "that which has gone wrong".
Things seem to change
a little at the end of the fourth season when Sam states that success
is not required for a leap-out, which seems to violate the precedent set
by previous episodes, notably "Genesis." At any rate, these statements
only reflect the fact that PQL can merely *theorize* on the leaping process.
It is possible that this question will not be answered satisfactorily
simply because GTF will not leap Sam into situations which he cannot handle.
(see SP#5) [Kwong]
10.How is it that
when Sam leaps into a leapee who is shorter/smaller than he is, people
around him don't notice a difference in size?
I belive
it is a question of topology. I'm not very good at it, but consider the
following argument. The QL maps everything from a different time into
a frame of reference relative to Sam. (And vice versa for the host.) Sam
doesn't see what really happens, but rather what happens relative to his
host. [Doug van der Veen]
It's all a matter
of relativity. Consider a spaceship 10 meters long. Send it off at 99.4%
of the speed of light and it will seem to be only 1 meter long to anyone
still on earth, while still seeming like 10 to those on board. Gravity
can do the same sort of thing; put an object deep into a gravity well
and it will seem shorter. The point is the ship is in a different 'reference
frame' than the earth, and the object in the well is in a different frame
then the observer floating outside it, and things like length (also duration)
are not the same across reference frames. [Larne Pekowsky]
So here's the theory:
when Sam leaps his whole body leaps (explaining things like "Blind Faith"),
but it is mapped into a different reference frame. If you look through
a warped piece of glass, things seem to be a different size and shape.
The same thing happens with a warped region of space (cf. "Gravitational
Lenses.") When Sam leaps the space containing him is warped in such a
way that not just length, but all physical properties are altered. And,
of course, the only person in Sam's reference frame is Sam, so when he
looks at himself he sees what he has always seen, but when he looks in
a mirror the photons have passed between frames, and so he sees the leapee.
[Pekowsky]
To answer the original
question, when Sam, 6ft, has leaped into someone 5ft7 and is talking to
someone, they look at the leapee's eyes, he sees them looking at his eyes,
and likewise he looks down, but the person he's talking to sees the leapee
looking straight. Which is really right? Neither, or both! It's the same
as asking 'how long is the spaceship really.' The answer is completely
dependent on what frame you're in because certain physical properties
have no absolute existence. [Pekowsky]
As for how this
ties into superstrings - current thought is that strings don't just define
particles, but also in some sense define space and time themselves (ref:
"Superstrings: A Theory of Everything?" edited by PCW Davies). When Sam
leaps he takes the strings comprising his body and 'soul,' into a region
of space made up of the strings of the person he's replacing. [Pekowsky]
11. Has Sam ever
leapt outside the United States? Into foreign nationals?
Sam
has leapt outside the United States a total of 7 times:
- "The Leap Home
II - Vietnam": The Mekong Delta, South Viet Nam
- "Ghost Ship":
Over the Bermuda Triangle, flying to Bermuda
- "The Curse of
Ptah Hotep": Egypt
- "Lee Harvey Oswald":
Japan and Moscow, U.S.S.R.
- "The Leaping
of the Shrew": The Aegean Sea
- "Blood Moon":
England, U.K.
[Finifter]
12. I read the QL
Primer and I understand the concept of time strings with the parts of
the string touching other times, and how the rule is that Sam can only
leap to times that occur during his own life-time. My question is, why
can't Sam leap into the future? By the future, I mean that period of time
between the first leap and Sam's death.
Sam's
leaping into post-'90s time would seem to fit within the definition of
"his own lifetime," since one's birth as well as death would constitute
one's entire lifetime. This was stated as much in "Genesis" ("One end
of this string represents your birth; the other end, your death. You tie
the ends together, and your life is a loop. Ball the loop...and the days
of your life touch each other out of sequence. Therefore, leaping from
one point in the string to another--" "Would move you back and forth within
your own lifetime."). [Kwong]
With this in mind,
then, "future" leaps would seem to be possible. However, since now the
m.o. of the Project has changed slightly due to the interference of GTFWhoever,
it just might not be practical. That is, Sam leaps in order to right some
wrong, often using his knowledge of the future to solve the problem --
or at the very least, the fact that he's from the future enables him to
recognize the fact that there *exists* a problem at all (preventing something
from happening that the original host didn't see coming up the first time
around). In a "future" leap, Ziggy would be useless in terms of obtaining
data, Al would be reduced to being only able to offer moral support or
an extra pair of eyes, and Sam would be just as clueless about the situation
as the original leapee was (and probably even more so). The sheer impracticality
of these conditions would then cut down quite a bit the probability of
a "future" leap. [Kwong]
Then again, if Sam
does do a "future" leap, would that give away the fact that he's not going
to die in any other leap before the Project's "real time" reaches that
date? [Kwong]
13. Who are the "evil
leapers"?
We first
see Alia and Zoey in the fifth-season episode "Deliver Us From Evil" and
later in "Return" and "Revenge." Apparently they have a means of leaping
which contains notable parallels to PQL--including a holographic chamber,
handlink, holding area, and a controlling computer named Lothos--and in
fact seem to act as something of a counterpart. Beyond the fact that they
clearly do not have Sam's good intentions where leaps are concerned, not
much more is known about them. (See also SP#2.) [Kwong]
There's been a lot
of discussion on the net from time to time regarding this topic, and it
is some people's opinion that PEQL (Project Evil Quantum Leap) is run
by Satan himself. [Finifter]
14. How much time
passes between leaps?
Time
between the leaps is instantaneous for Sam. For those back at PQL, the
gap seems to vary. We've heard mention of gaps as long as six days, and
were even once treated to the sight of an instantaneous leap in from the
point-of-view of the Waiting Room. It would appear that the lengths of
the between-leap gaps for the PQL staff are random. [Kwong]
15. Does time pass
differently at PQL than it does for Sam?
We've
never seen an indication that it does. At most, there is a time difference
resulting from, say, Sam leaping into Smallville at 9am while back at
the Project it's 11:30pm...the kind of difference one would get when trying
to place a long-distance call to someone in another time zone. There is
no indication that an hour's length for Sam is not the same as an hour's
length for the PQL staff. [Kwong]
To state it more
specifically, once Sam leaps in and PQL locates him, his "clock" and the
Project's "clock" become locked in synch. As in the Smallville example
above, if Al steps into the Chamber at 11:45pm (PQL time), he will only
be able to contact Sam at 9:15am (Smallville time). Note that the Chamber
becomes useless unless there is a leaper to focus on. [Kwong]
16.When is Al's "present"?
Or rather, in what year did Sam start leaping?
Through
various little hints and clues, the date of Sam's first leap has been
determined to be 1995 (seven years after our present, since Quantum Leap
premiered in the spring of 1989). This date was confirmed in the fifth
season episode, "Killin' Time." Al's "present" tended to jump around a
bit during the course of the series. Through arithmetic or direct statements,
it was 1997 in the third season finale, then 1999 for the fourth season
opener. Then in the fifth season opener, the date was given as a few months
*before* the fourth season opener, with references to events from the
fourth season. [Finifter]
From direct statements
in one episode, we know the building of the Project was begun in 1989.
[Kwong]
17. When Al looks
at Sam, what does he see?
Al sees
the leapee, initially. In the episode entitled "What Price, Gloria", Al
was out of control at seeing Sam as the gorgeous secretary. Al probably
recognizes Sam because they are linked through their brainwave transmissions,
which is what is used by the project to locate Sam in time.
This then appears
to change through the seasons. Later episodes begin to hint that Al sees
Sam as Sam. By the fifth season, this is stated explicitly to be the case.
A possible theory is that, after the whole mess in "What Price Gloria,"
Al had Gooshie re-configure the IC to show him Sam's image only. [Kwong]
18. Who is in the
"Waiting Room"? What does it look like?
The
leapee. To everyone at the Project (with the possible exception of Al
(see #2), the leapee looks like Sam. The waiting room has been described
by Don Bellisario as being a sterile, hospital-like room where the leapee
is examined by the Project's medical staff. We've seen it a few times
and it's big and blue, and located at the end of an isolated ocrridor.
Once we got to see (and HEAR) the leapee when she entered the imaging
chamber with Al, and she looked to us like the image Sam saw in the mirror.
This is probably due to the same mechanism that allows us to see Sam as
Sam [Bellisario's rules :)].
The leapee is occupying
Sam's aura, not his body (see #8). The audience sees the leapee in the
WR. [Kwong]
19. What is the Imaging
Chamber?
This
is the only place where Al can go to talk to Sam. Its construction allows
a holographic image of Al to be generated for transmission into Sam's
optic and otic neurons in the past, and for Sam and his surrounding images
to be projected onto Al's neurons. Speculation (and a quote from Don)
has it that this is a very large and cavernous room judging from the amount
of walking Al can do without bumping into walls and the sound of the door
as it slides open and closed. We've seen it once, and it is large and
blue, similar to the Waiting Room. [Finifter] Since Al is a hologram,
the fact that he seems to be able to walk up and down stairs in several
episodes is probably a script glitch. [Kwong]
20. Can anyone else
at the project go into the Imaging Chamber and see Sam?
Only
when Al is touching an object will it be visible to Sam (and us). In more
than one episode, Al brought an object into the Imaging Chamber for Sam
to see (this is beyond Al's clothing, cigar and handlink). Skin to skin
contact must be needed for another person to be seen in the Imaging Chamber.
Dr. Beeks, by holding Al's hand was seen by Sam [and us :)]. In one other
episode (Killin' Time), a quick jury-rigging job by Ziggy enabled Gooshie
(see question 19) to contact Sam via the hologram/brain-wave process,
but the image broke up a lot. (see SP#4, SP#13)
21. How does Ziggy
know so much about people's lives in the past?
Ziggy
is hooked up to every major database of the late '90s. It's amazing, when
you think about it, just how much is REALLY known about you that is stored
on computers.
22. Who is this "Gooshie"
that Al keeps talking to?
Gooshie
is Ziggy's programmer, a short guy with bad breath. We used to see him
very briefly in profile wearing a headset in the opening title sequence
as Sam is leaping out and in the pilot and the episodes "The Leap Back,"
"Killin' Time," and "Mirror Image." He was played by the late Dennis Wolfberg.
23. If Al is a hologram,
why does he cast shadows?
The
shadows are holograms, too, and are generated and projected by Ziggy as
part of the process, of course. [Sally Smith]
Seriously, while
Al may not cast shadows, Dean certainly does (especially since-- as QL's
director of photography Michael Watkins, ASC once put it-- "Dean likes
to talk with his hands so much that he's a pretty active shadow anyway.").
It's simply physically impossible to eliminate them all. Also, there are
times when having Al not cast a shadow would actually make him look fake--like
a pasted-on cut out effect instead of a real person. [Sally Smith]
Any instances of
Al's reflection appearing on objects, or things reflecting off of Al's
outfits, probably fall under the same category. [Kwong]
24. Since Al is a
hologram, we always see the neat effects of cars driving right through
him, etc, so how can he sit in the car and travel within it too?
Well,
when Al appears to be riding in the car, what's actually happening is
that he's merely placed his image within the car and set it (his image)
to track along with Sam's traveling. This same technique also allows him
to track alongside the outside of moving vehicles as well. I'd assume
that he's standing the entire time he's "riding," which also accounts
for why he often seems to be facing a different direction than one normally
would while riding in a vehicle (i.e. straight ahead). [Kwong]
25. Why is Ziggy
sometimes referred to as "he" and at other times "she"?
What
follows is a segment of an interview with Donald Bellisario that describes
why and when Ziggy moved from being a 'he' to a 'she'. The transcript
has been moved around a bit so that it makes sense in this context.
Int stands for Interviewer
speaking, and Don for Donald.
Int: I think I've
caught you in one error.
Don: What's that?
Int: Ziggy. Ziggy
was referred to as a male, until the "Leap Back" when Ziggy has a female
voice.
Don: Yeah, Ziggy
was referred to as a male through every show. Heh, heh, heh. Yeah. But
Ziggy turns out to be a she. It's not an error. We just decided to make
Ziggy a female. I mean, it wasn't like, "Oh God, we didn't think of that!"
We thought of that first thing, right off the bat, and said, "Oh, who
cares?"
If you want me to
PCR [see below] that one, I'll tell you that Sam didn't remember that
Ziggy was a female until he came back, and Al, not wanting to spoil anything
for him or throw more of a load onto him that he already had, just rode
along with it. How's that?
[Another part of
the same interview]
Don: ...Sometimes
you get things you want to do creatively and you don't have the reason
for them. It's what I call PCR.
Int: Meaning?
Don: Post-Creative
Rationalization. Heh-heh. It really is. "Why does it happen? Why?" Uhhhhhhhh,
because, because - he can only leap within his own lifetime! [Referring
to an earlier question]
And then, out of
that came my string theory about how it all works.
So it was all stuff
I knew I wanted to do. When you create something, and people ask you how
it works, to justify it, you go back and figure it all out. And you PCR.
There you go! So,
Ziggy changed sex in the Leap Back simply because Don thought it would
be a good idea! You can find the above transcript in the "Quantum Leap
Book" (ISBN 1-85283-866-3). [above answer supplied by R. D. Gregson]
There seems to be
a very neat order of transition when it comes to Ziggy's various sex changes.
Before the opening of the fourth season, Ziggy was always referred to,
and assumed to be, a male. Then in the fourth season opener, we learned
Ziggy had a female voice, but was still referred to as "he" throughout
the season. In the fourth season finale, Sam tells St. John that "Al called
her Ziggy," and the reference was always female from that point on. [Finifter]
26. How is the Head
Programmer's name spelled? What about Donna's last name?
Dennis
Wolfberg's character is spelled "Gooshie" in "Genesis," and "Gushie" in
"The Leap Back" (all other appearances list Dennis in the beginning credits,
rather than by character name). This was probably due to an oversight.
The official spelling is not known. [Kwong]
The official spelling
of Donna's last name *may* possible be gleaned from closed-captioning
or a copy of the script. Does anyone have the relevant episodes handy?
The Chunovic book spells it "Eleese," but keep in mind that the validity
of the book's contents are suspect. [Kwong]
27. Who is this Sally
Smith person and why does she know so much about the behind the scenes
goings-on of Belisarius Productions? Why is she called "Lucky Bitch"?
Hey,
that's TWO questions! Sally Smith is our own "Set Elf", otherwise known
to the less fortunate of us as the "Lucky Bitch" who resides somewhere
in the Bay Area of California. Through some kind of divine providence,
she has been granted the blessing of frequent visits to the set of Quantum
Leap where she communes with the shining lights of Leapdom and imparts
her learnings unto the less fortunate of us on the net (this is where
the "Lucky Bitch" comes from). This blessing comes with a price however,
in the form of air fare, gasoline and phone bills that when combined,
resemble the national debt. This price she pays gladly so that she may
share her visits and info with us both on the net and formerly in her
mailing list. Unfortunately for all of us, the frequency of her visits
have been greatly reduced due to a new studio policy that restricts visits
to the sets in their domain. [!@#$%^& legal nozzles. Sally Smith]
28. What about other
inconsistencies that I've noticed in QL?
"Don't
investigate this too closely." --Don Bellisario, 3/17/90
29. What are "Leapheads"?
There
is no such creature as a Leaphead. This is a word coined by a NBC employee
referring to a Leaper, which is a Quantum Leap fan. "Leaper" is the preferred
term, used by the fans themselves and the cast and crew of Quantum Leap
when speaking about the fans. The prevailing attitude is, "if 'Leaper'
is good enough for Don Bellisario and company, it's good enough for us".
30. So what's the
story with that episode titled "The B**giem*n" and why do Leapers refuse
to mention it by name?
[Episode
title edited for net.safety] This episode first aired near Halloween 1990,
and from the first time it aired, weird events have been associated with
this episode. As an example, this episode seems to have the highest incidence
of VCR/cable/local station failure than any other episode aired. There
have been numerous reports of VCRs cutting out during the taping of this
episode, local stations and cable companies dropping their signal. Even
mentioning it by name is hazardous, as one net.Leaper can attest. This
hapless individual (who knew better) was bandying about the name of this
episode. He lost his job AND his net.access. Its mention has been known
to cause power failures and auto breakdowns, so it's best to just refer
to it as "The Halloween Episode". Leapers everywhere will know of what
you speak. By the way, cameras and recording equipment also tend to act
strangely around Chris Ruppenthal, the writer of this episode. Since it
aired, his nickname has been "Ruppenboogie". He _is_ kind enough not to
say the title of the episode around the fans, though director Joe Napolitano
does. Mention of all this merely causes Chris to laugh evilly.
As long as we're
on the subject of Chris, Joe, and weirdness, let's note that the episode
"The Curse of Pt*h-H*tep" appears to cause earthquakes in Southern California
-- the large quakes of Apr. and June 1992 coincided with the two showings
of this episode. Pretty scary, huh, kids?
31. I remember watching
a time travel show in the 60's, Time Tunnel. Anyone else remember it?
Ah yes,
Irwin Allen's Time Tunnel. This was a show about a secret government funded
time travel experiment in which a young researcher sends himself back
in time in an effort to prevent the project's funding from being cut.
This, the two men travelling through time, and the efforts to retrieve
them are the only things this show has in common with Quantum Leap (which
only has ONE man travelling through time, his companion is firmly rooted
in the future, but I digress). In the Time Tunnel, time travellers Anthony
Newman and Doug Phillips unfailingly arrived at historical events and
desperately tried to influence events based on their knowledge of the
outcome. They always failed. This is a show where the time travellers
would find themselves at the Roman coliseum one week, and in Napoleon's
army the next, THEN tripping to the bombing of Pearl Harbor. It is drastic
time changes like this that Don Bellisario wanted to avoid when he imposed
the 'within his own lifetime' rule. He felt the huge differences in time
settings were distracting and unrealistic. :-)
32. Isn't Quantum
Leap just like that other time travel show, Voyagers?
Phineas
Bogg with the assistance of companion Jeffrey Jones are time travellers
who find themselves trying to fix history, or to 'put things right' when
'people become displaced in time and find themselves a half-step away
from a totally different destiny' [Harry and Wally]. In one episode, Franklin
D. Roosevelt became a movie director and it was up to Phineas and Jeffrey
to set him on the right course to the presidency of the United States.
This is another show that would find its heroes travelling to far-flung
places and times, a plot device that Don Bellisario wanted to avoid.
33. Is Scott Bakula
really as nice as he seems to be?
Yes,
yes a thousand times yes. A perfect example of just how nice, patient,
hardworking and DECENT this man is is his appearance at the QL screening
for the fans in LA back on February 25, 1991. He had put in a hard day
on the set working on the episode "Last Dance Before an Execution", a
very emotionally intense, exhausting episode when he had to appear at
the screening to answer questions (with the BGU, Deborah Pratt and Dean)
and to meet the fans. He was pleasant and open with the fans, even joking
with people and accepting small gifts and hugs with aplomb. Afterward,
he was mobbed by (literally!) hundreds of mostly female fans who requested
his autograph and their picture taken with him. He spoke to each person
and smiled for the cameras. He is truly a sweet, gracious person, traits
which are shared by the rest of the people associated with this production.
Any further elaborations
can be filled in by FAQ # 27, the LB herself. :)
[Why, thank you,
Debbie...] Another example is the UCLA screening of 11/25/90. Scott had
been to New York City and back that weekend (appearing in the Macy's parade),
had put in a long day at work and was in a great deal of pain from an
injured ankle. But he walked out on stage and answered questions like
he hadn't a care in the world and afterwards signed autographs until co-executive
producer Michael Zinberg literally picked him up off the floor and took
him away, telling him he had to go to work the next day. Then there was
the convention...well, you get the idea. [Sally Smith]
34. Does Scott Bakula
do his own singing on the show?
You
betcha. Scott is an accomplished singer (1988 Tony nomination for "Romance/Romance"),
pianist (see "Blind Faith"), songwriter (he wrote the lyrics to the song
"Somewhere in the Night" from "Piano Man"), dancer, and all-around athlete.
Let's put it this way -- if you think Scott's doing it (and it's not wildly
dangerous) -- it's him.
35. What are these
abbreviations you people keep using?
Whoops,
sorry! GTF means "God, Time, or Fate" -- whatever "unknown force" is leaping
Sam around. BGU (coined by Warren J. Madden) stands for "Big Guy Upstairs",
and depending on context, that either means GTF or Don Bellisario.
PQL, IC, and WR
refer to "Project Quantum Leap," "Imaging Chamber," and "Waiting Room"
respectively, but that's pretty straightforward. The symbol **" is no
longer in so much use but refers to the ascii representation (courtesy
of Deb Brown) of the ASL symbols for "Quantum Leap" as shown in the episode
"Private Dancer." [Kwong]
Some more abbreviations
that are commonly used, usually referring to specific episodes that, for
one reason or another, get mentioned more frequently than others:
- MI = "Mirror
Image"
- TLH = "The Leap
Home"
- LHO = "Lee Harvey
Oswald"
- TLB = "The Leap
Back"
36. What's the significance
of the word "height"?
This
was mentioned on E!'s Behind the Scenes on QL as being an in-joke among
the QL cast and crew: whenever the word "height" is mentioned, all those
within earshot repeat it. [Kwong]
This joke shows
up occasionally on QL-related posts on the net, usually resulting in waste
of bandwidth as others reply to the joke. Not that it isn't fun, but please,
if you're tempted to follow up a posted "height!" with one of your own,
consider the chain reaction you may be initiating/perpetrating. [Kwong]
37. What members
of the QL staff and crew have appeared in the show?
- Deborah Pratt
as Troian Giovanni Claridge in "Portrait for Troian"
- Don P. Bellisario
as Timothy Mintz/mirror in "Portrait for Troian"
- Paul Brown as
Julian Claridge in "Portrait for Troian"
- Don P. Bellisario
as guy at the bar in "Mirror Image"
- Jean-Pierre Dorleac
as guy who says "Butcher, baker..." in "Shock Theater"
- Rob Mendel as
hippie guy in "M.I.A."
- Chris Ruppenthal
as Joshua Raye/mirror in "The B**gieman"
- Harker Wade as
Dylan Powell/mirror in "Temptation Eyes"
- James Whitmore,
Jr as Clayton Fuller/mirror in "Trilogy Part I" and as police captain
in "Mirror Image" and as Bob Crockett in "8 1/2 Months"
[Ailsa Jenkins]
38. Wasn't the guy
who played Al the bartender in the last episode the same actor who played
Weird Ernie in the first episode?
Yes,
that was indeed Bruce McGill who played both parts. It is interesting
that his part in "Genesis" was not alluded to in "Mirror Image" as were
many of the other recurring characters. Bruce McGill also appeared in
several episodes of another Belliario production, "Tales of the Gold Monkey".
[Bellucci]
Other guest stars
have also played recurring characters or multiple roles. [Kwong]
39. Are there Quantum
Leap conventions?
The
first annual Quantum Leap convention was held in (??) over Leap weekend,
February 1992, along with Dean Stockwell's star ceremony (Hollywood Walk
of Fame). The Con has been held at around the same time each year since
then. Dean and Scott have shown up (officially and unofficially) so far
each time. [Kwong]
There are other
QL-related cons held at other locations, but I don't have any details.
[Kwong]
40. Who do I write
to get a Quantum Leap movie? And how can I write to the cast and crew
now?
That's
two questions again, but they're good ones. :-)
For "Quantum Leap:
The Movie", write to:
Mr. Sid Sheinberg
100 Universal City Plaza
Universal City, CA 91608
Don Bellisario is
working at Paramount Pictures now. His address there is:
Donald P. Bellisario
Paramount Pictures
5555 Melrose Ave.
Los Angeles, CA 90038
As for Scott, his
address is:
Scott Bakula
c/o Jay D. Schwartz
Sutton, Saltxman, and Schwartz
8967 Sunset Blvd.
Los Angeles, CA 90069
41. How long did
QL originally run?
QL ran
from March 26, 1989 to May 5, 1993, on NBC...for five seasons and a total
of 95 episodes.
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